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ArtRank Velocity Index
Spotting emerging artists exhibiting significant career momentum. AI-run: powered by the ArtRank algorithm and informed by over 6.5M data points.
| Rank | Artist | Key Velocity Indicators |
|---|---|---|
| 1 | Tau Lewis | Featured on Art21 in 2024, signaling strong institutional belief. Solo show at 52 Walker in 2023. This combination of factors indicates significant upward momentum. |
| 2 | Chase Hall | Signed with David Zwirner in 2024. Zwirner represents a major career leap, indicating strong market confidence in Hall's work. |
| 3 | Kennedy Yanko | Solo show at the SCAD Museum of Art in 2023. Inclusion in the 2024 Venice Biennale. These institutional signals point to growing recognition. |
| 4 | Qualeasha Wood | Solo exhibition at Albright Knox in 2024. This institutional validation has significantly raised her profile. |
| 5 | Cristina Tufiño | Solo show at GRIMM Gallery in 2024. GRIMM is known for launching emerging artists' careers. |
| 6 | Emmanuel Massillon | Signed with Kapp Kapp Gallery in 2024. This is a strong indicator of upward mobility. |
| 7 | Genesis Jerez | Solo show at Lyles & King in 2024. Lyles & King is a respected gallery for emerging artists. |
| 8 | Natalie Ball | Solo show at PDX Contemporary Art in 2024. This is a strong indicator of upward mobility. |
| 9 | Hannah Levy | Solo show at Casey Kaplan in 2024. Casey Kaplan is a well-respected gallery. |
| 10 | Brandon Landers | Signed with The Pit in 2024. The Pit is a respected gallery for emerging artists. |
ArtRank Undervalued Index
Identifying established blue-chip artists whose current market values underestimate their long-term significance. AI-run: updated continuously.
| Rank | Artist | Key Value Gap |
|---|---|---|
| 1 | James Turrell | Despite immense institutional acclaim, including ongoing Roden Crater development, Turrell's secondary market remains relatively quiet. Prices haven't mirrored his cultural impact. |
| 2 | Joan Jonas | Jonas's market lags behind her influence on video and performance art. Major exhibitions haven't translated to commensurate secondary market activity. |
| 3 | Robert Irwin | Irwin's market presence is modest compared to his significant contributions to Minimalism and Light and Space. Prices are below peak despite ongoing installations. |
| 4 | Bruce Nauman | Nauman's early works show price stagnation despite his continued influence. The market hasn't fully reflected his pioneering status in video and installation art. |
| 5 | Laurie Anderson | Anderson's market undervalues her multimedia performance work. Auction results haven't caught up with her cultural impact and institutional recognition. |
| 6 | Richard Serra | Serra's drawings and smaller sculptures trade below peak prices, despite his monumental sculptures' enduring presence and institutional validation. |
| 7 | Marina Abramović | While performance documentation has a market, it lags behind Abramović's iconic status. Prices haven't fully reflected her influence on contemporary performance. |
| 8 | Shirin Neshat | Neshat's market has softened despite her continued exploration of identity and exile. Prices are below peak, offering a potential entry point. |
| 9 | Jeff Koons | Koons' market has cooled from its peak, with some works trading below estimates. This presents an opportunity to acquire works at more reasonable prices. |
| 10 | Anish Kapoor | Kapoor's smaller sculptures have seen price corrections, while his monumental works maintain strong institutional presence, creating a value gap. |
Artist Trend Analysis
Get a quick assessment of any artist's market trends and sentiment. Powered by AI and refined by our training data.