Tomorrow's Warhol, today.

Featured on Art21 in 2024, signaling strong institutional belief. Solo exhibition at the Albright-Knox in 2023 further solidified her position.

Signed with GRIMM in 2023. Exhibited at SCAD Museum of Art in 2024. Strong primary market sales reported at Art Basel Miami Beach.

Solo show at the SCAD Museum of Art in 2022. Her work was acquired by the ICA Miami in 2023, indicating growing institutional recognition.

Exhibited at the New Museum Triennial in 2021. Solo exhibition at the Albright-Knox in 2024.

Solo exhibition at the Museo de Arte Contemporáneo de Puerto Rico in 2023. Her work was acquired by the Hammer Museum in 2024.

Solo show at Jeffrey Deitch in 2024. Strong primary market sales reported at Frieze New York.

Solo show at the Andy Warhol Museum in 2023. His work was acquired by the ICA Boston in 2024, indicating growing institutional recognition.

Exhibited at the New Museum Triennial in 2021. Solo exhibition at Reena Spaulings in 2024.

Solo show at Marianne Boesky Gallery in 2024. Strong primary market sales reported at Art Basel Miami Beach.

Solo show at The Pit in 2024. His work was acquired by the ICA Miami in 2023, indicating growing institutional recognition.

Despite immense institutional acclaim, Turrell's market lags. Roden Crater's completion could catalyze revaluation. Limited auction activity masks deep cultural impact.

Jonas's influence on video and performance art is immense, yet market prices remain modest. A major retrospective could spark significant revaluation.

Irwin's market underperforms relative to his peers in the Light and Space movement. Major site-specific commissions continue to validate his importance.

Nauman's early works trade below peak despite sustained institutional interest. Major retrospectives continue to reinforce his historical significance.

Anderson's market presence is limited despite her pioneering role in performance and multimedia art. A renewed focus on her legacy could drive prices.

Abramović's prints and editions trade below peak levels, despite her continued global recognition and influence on contemporary performance.

Kapoor's smaller sculptures and works on paper trade at a discount compared to his large-scale public installations and commissions.

Eliasson's multiples and smaller works trade below peak, while major installations continue to garner significant attention and institutional support.

Neshat's market has softened despite continued critical acclaim and museum exhibitions focusing on her exploration of identity and exile.

Koons's market has corrected from its peak, offering opportunities for strategic acquisitions, especially given his continued visibility and brand recognition.